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• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Bourne Supremacy 11 x 17 Inches Style C Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

YES - DVD MovieIt's unsurprising that a movie written in rhyming verse would have stilted or self-conscious moments--but the sumptuous beauty, sinuous rhythms, and cinematic intricacies of Yes may astonish viewers who expect something stuffy or antiquarian. The plot is little more than an affair between an unnamed Irish-American biologist (Joan Allen, once the queen of repression in The Ice Storm, now becoming an art-house sexpot in this and Off the Map) and an unnamed Middle-Eastern chef (Simon Abkarian, Ararat), yet the movi! e explores just about everything: Marriage, religion, international politics, motherhood, and the nature of zero, while travelling from London to Belfast to Beirut to Havana. Writer/director Sally Potter (Orlando, The Tango Lesson) has enormous ambitions; Yes abounds with complex ideas and daring flourishes, both verbal and visual, juxtaposing the austere and the erotic, intellect and grief. If not everything succeeds, what doesn't is more than made up for by what does. Also featuring Sam Neill (The Piano, Jurassic Park) as Allen's aloof husband and Shirley Henderson (Topsy-Turvy) as a housecleaner with a philosophical perspective on dirt. --Bret FetzerWhen the truth becomes a weapon, power comes at a stunning price. Gary Oldman, Joan Allen, Jeff Bridges and Christian Slater deliver electrifying performances in this controversial, suspenseful and critically-acclaimed thriller that Ebert & Roeper and the Movies call "exciting! and unusually intelligent, two very enthusiastic thumbs up!" ! Sometime s you can assassinate a leader without firing a shot.Depending on your perspective, The Contender can be praised and damned for the same reasons. A political thriller with an insider's view, it's deadly earnest in its defense of truth, justice, and the American way, but writer-director (and former film critic) Rod Lurie resorts to the same manipulation that his film purports to condemn. But with political savvy, a timely idea (a female vice president), and a cast of first-rate actors, this high-office chess game is unabashedly entertaining. You can argue with Lurie's tactics, but you can't fault his patriotic passion.

In a role written especially for her, Joan Allen is outstanding (if a bit too saintly) as the Republican-turned-Democrat senator who is chosen by the president (Jeff Bridges) to fill a vice presidential vacancy. Bridges is a cagey chief executive, seemingly aloof as he gleefully challenges the White House's 24-hour kitchen staff but more than a match f! or the embittered and unscrupulous congressman (Gary Oldman) who plots to destroy Allen's character with seemingly dark secrets from her past.

As a gender-switching response to the Lewinsky scandal, The Contender asks potent questions with its impassioned plea for integrity in public service. That makes this a film well worth defending, and the stellar cast (which includes Christian Slater and William Petersen) triumphs over most of the plot's hokey machinations. The ideas are more compelling than their execution, however, and although Lurie's climactic revelation is a vast improvement over the reckless cheat of his previous film Deterrence, it still threatens to tarnish the gloss of an otherwise fascinating film. --Jeff ShannonThe re-release of Jerry Aronson's biopic, The Life and Times of Allen Ginsberg, timed to celebrate the fiftieth anniversary of "Howl," suits this wonderful documentary and proves Ginsberg central to all radical artistic! and political movements of the past 60 years. The feature-len! gth film , segmented by decade, provides ample footage of Ginsberg's life; but extras added into this package, including footage of his memorial and 35 interviews with artists inspired by the visionary poet--from Beck to Lawrence Ferlinghetti--solidify Ginsberg as an American cultural icon. The film unravels Ginsberg's obsession for life and death around his mother's nervous breakdown and his father's affinity for poetry. Interviews with Ginsberg from each decade, both amongst his Beat friends like Burroughs and Huncke, and later with talk show hosts William Buckley and Dick Cavett, show the author's progression from sexual politics in the '40s and '50s to the "politics of ecstasy" in the '60s and '70s, when he founded the Flower Power movement with Tim Leary, and later, Naropa Institute. Ample footage of Ginsberg's stepmother provides a sensitive outsider's opinion on how he blossomed into one of the most spontaneous minds of the century. The film transcends simple Ginsberg descript! ions by framing his life with historical happenings to contextualize the author's words and actions. The Life and Times of Allen Ginsberg reminds the viewer that there is no better example of an artist devoted to a life of letters, activism, and idealism than the original beatnik. --Trinie DaltonThe Bourne Supremacy reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style C mini poster print

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