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- 24 Month Manufacture Warranty
DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of
The French Connection and
The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from
The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no
Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct
Friday Foster and
J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release.
--Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of
The French Connection and
The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from
Th! e Godfather) stars as a veteran detective on the Detroit ! police f orce, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no
Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct
Friday Foster and
J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent vi! deo release.
--Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of
The French Connection and
The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from
The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no
Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death s! pasms, and the film concludes on an unusually satisfying note ! of ambi guity and cynicism. Marks went on to direct
Friday Foster and
J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release.
--Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you save cost of purchase lenses. ÂFotodiox offers a range of adapter from large format to smaller format digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.
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