Cronicas

• "One Hour with the Truth" is broadcast nightly from Miami across Latin America, carrying the hardest sensationalistic stories it can find. Star anchorman Manolo Bonilla (John Leguizamo) has flown down to a small town in Ecuador with producer Marisa (Leonor Watling) and cameraman Ivan (Jos Mari Yazpik) on the trail of a child serial killer and rapist, "The Monster of Babahoyo." The accidental de

John Leguizamo stars as Manolo Bonilla, a tabloid TV reporter who traveled from Miami with his news crew on the trail of a story about a serial killer striking a small town in Ecuador. Convinced this story could be the ‘big one’ that makes him a network star, he is willing to bend the rules to get the facts. But the closer he gets to uncovering the truth, the more he finds his carefully planned story spinning dangerously out of control. Soon, Bonilla and his crew find themselves at the center of! a frightening situation where even the best intentions can backfire.In twisty thriller Crónicas, John Leguizamo (Moulin Rouge) finally lands a lead role worthy of his talent. The Columbian-born actor is Manolo Bonilla, an ambitious Miami-based reporter for a Spanish-language news outlet. When a serial killer devastates a small town in Ecuador, he and his crew, Marisa (Leonor Watling, Talk to Her) and Iván (José María Yazpik, Innocent Voices), fly down to cover the story. Shortly after their arrival, Bonilla saves the life of shifty-looking salesman Vinicio Cepeda (Damián Alcázar). His intentions aren't as honorable as they seem. Cepeda claims to have information regarding the "Monster of Babahoyo" and Bonilla will do anything to keep him talking. Soon his star begins to rise as Cepeda provides him with more and more ratings-grabbing details. Then Bonilla discovers something even the authorities don't know about--another body. His decision ! to follow the lead on his own could make his career...or compl! etely de stroy it. Worse yet, another child may lose his life if Bonilla fails. Featuring Alfred Molina (Frida) as Marisa's TV host husband (seen only via monitor). Written and directed by Sebastián Cordero and produced by Guillermo del Toro and Alfonso Cuarón, Crónicas was nominated for the Grand Jury Prize at the 2005 Sundance Film Festival. --Kathleen C. Fennessy

Big Daddy [VHS]

• Condition: Used - Very Good

BIG DADDY - DVD MovieGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what ar! e you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineStudio: Sony Pictures Home Ent Release Date: 02/15/2011 Run time: 93 minutes Rating: Pg13Gosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job)! . But after taking care of the tyke for a couple of days, Sonn! y finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineSANDLER COLLECTION - DVD MovieGuaranteed to work or your money back - PLEASE NOTE ALL MONIES FROM THIS SALE GO TO A 501 (C)3 NO KILL ANIMAL SHELTERGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about t! heir relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall Fine

Frailty

• DVD Details: Actors: Luke Askew, Brad Berryhill, Powers Boothe, Vincent Chase, Derk Cheetwood
• Directors: Bill Paxton
• Format: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.85:1; Number of discs: 1; Studio: Lions Gate
• DVD Release Date: September 17, 2002; Run Time: 100 minutes

Fenton Meiks arrives at an FBI office with information about the God's Hands killer, a religious fanatic who thinks he is on a mission from God to rid the world of \demons" posing as humans; Fenton believes that his father and now his brother are the killers.
Genre: Horror
Rating: R
Release Date: 17-SEP-2002
Media Type: DVD"""Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton c! ostars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

Fast Food Nation: The Dark Side of the All-American Meal

• ISBN13: 9780060838584
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast foo! d and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory far! ms where the potatoes and beef are grown, and into the slaught! erhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them pron! e to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed

Life After Tomorrow

• Life After Tomorrow reunites more than 40 women who played orphans in the Broadway production of "Annie" and reveals the highs and lows of their experiences as child actresses in a cultural phenomenon. Once the curtain came down, many found it could be a hard-knock-life, fraught with out-of-control stage mothers, separation anxiety, and worst of all, pubescent growth spurts that could find

For over three decades, there's been one singular sensation: A Chorus Line, the groundbreaking hit musical inspired by the emotional lives of dancers during the audition process. Now the story comes full circle as a new documentary offers a revealing, unprecedented look at the auditions for the Broadway revival of the perennial classic, including interview footage with Bob Avian, Michael Bennett, Charlotte d'Amboise, Marvin Hamlisch and Donna McKechnie to name a few. The music, the moves and the real-life d! rama - they're all here in a documentary that brings you closer to the footlights than you ever thought possible.The engaging documentary Every Little Step threatens to be woefully insular--after all, it's about dancers auditioning for a Broadway revival of a musical about dancers auditioning for a musical. But what makes the musical A Chorus Line work--aside from memorable songs and topnotch choreography--is that while not everyone wants to sing and dance, everyone has had to apply for a job. So everyone can identify with the emotions applying for a job evokes. Similarly, viewers who don't even sing in the shower will understand the chaotic mix of ambition, anxiety, hope, and resentment that's churning in these very talented performers as they go through their paces. Balancing the audition process are interviews with performers from the original production and the creative team who crafted A Chorus Line from stories told by many of those original perfo! rmers. The one missing voice is that of Michael Bennett, who o! riginate d the idea, shaped the process, and choreographed the dancing; fortunately, he's represented not only in affectionate anecdotes but also archival footage, including his touching acceptance speech when he won a Tony award for the show. Fans of A Chorus Line will find Every Little Step to be essential, but even the casual theatergoer will enjoy this backstage peek. --Bret FetzerMichael Douglas stars as a choreographer who subjects 16 dancers to a grueling audition in this Academy AwardÂ(r)-nominated* adaptation of the landmark Broadway musical. Featuring Marvin Hamlisch's OscarÂ(r)-nominated* music and Jeffrey Hornaday's (Flashdance) sizzling choreography, this thrilling portrayal of life behind the velvet curtain is truly "One Singular Sensation"! After narrowing down hundreds of Broadway hopefuls, Zach (Douglas) leads a select group of dancers on the tryout of their lives. In an audition twist, Zach asks each performer personal and intimate questionsw! ith results that powerfully affect not only the young performers but the hardened stage veteran as well. *1985: Original Song, Sound, Film EditingIf you've never seen this popular production performed on stage in its original form as one of the longest-running musicals in Broadway history, the movie version is probably your next best option--heck, it's your only option! But beware the major difference between the experience of stage and screen, because A Chorus Line is a perfect example of a show that doesn't translate well from one medium to another. Director Richard Attenborough gives it his best shot, cutting some of the production numbers and adding new ones while "opening up" the show to explore the off-stage lives of struggling performers as they prepare for another grueling audition. Michael Douglas plays the harsh, workaholic director who puts the auditioning "gypsies" through the paces, winnowing a large group of hopefuls down to eight lucky cast members fo! r his next big show. There's a subplot about the director's fo! rmer gir lfriend, who returns for the big audition, and along the way the other hopefuls sing and dance while revealing their various hopes and fears. On screen, the musical works best when focused on its dramatic passages; otherwise it's impossible to escape the fact that this material is best suited to live performance. --Jeff Shannon The engaging documentary Every Little Step threatens to be woefully insular--after all, it's about dancers auditioning for a Broadway revival of a musical about dancers auditioning for a musical. But what makes the musical A Chorus Line work--aside from memorable songs and topnotch choreography--is that while not everyone wants to sing and dance, everyone has had to apply for a job. So everyone can identify with the emotions applying for a job evokes. Similarly, viewers who don't even sing in the shower will understand the chaotic mix of ambition, anxiety, hope, and resentment that's churning in these very talented performers as t! hey go through their paces. Balancing the audition process are interviews with performers from the original production and the creative team who crafted A Chorus Line from stories told by many of those original performers. The one missing voice is that of Michael Bennett, who originated the idea, shaped the process, and choreographed the dancing; fortunately, he's represented not only in affectionate anecdotes but also archival footage, including his touching acceptance speech when he won a Tony award for the show. Fans of A Chorus Line will find Every Little Step to be essential, but even the casual theatergoer will enjoy this backstage peek. --Bret FetzerThe award winning Life After Tomorrow, a film by Julie Stevens and Gil Cates, Jr., reunites more than 40 women who played orphans in the original Broadway production of Annie and reveals the highs and lows of their experiences as child actresses in a cultural phenomenon. Once the curtain came d! own, many found it could be a hard-knock-life, fraught with ou! t-of-con trol stage mothers, separation anxiety, and worst of all, pubescent growth spurts that could find the moppets being replaced by smaller, younger editions just waiting in the wings. As one cast member in the film remarks, The younger ones are coming to take your place and you're 12. It's not like you are getting downsized at 50...you're 12!. While their lives moved on, the impact of the experience remains. Features behind-the-curtain footage from the original Broadway production and performances with the re-united orphans.