Sunday, November 20, 2011

Red Devil 3040 Scraper, Double Edge

  • Red Devil
  • 3040
  • Utility Knives
Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of f! ast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Bla! ck Prince's wealth, he finds his behavior horrifying, and disc! overs he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyBased on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s! THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war loom! s with Kuwait and Uday’s depraved gangster regime threatens ! to destr oy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When! Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyIn 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour has been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraquis, it would have been the highlight of their lives, but for Latif, a pe! ace-loving man who did not agree with Saddam's brutal regime, ! it was n ot. He refused. Following a week of torture and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.An American couple on their honeymoon walks into a bar in Guadalajara, Mexico. Unbeknownst to them they capture the attention of Belu, a creature that sits without form in the shadows of the bar. Belu, sensing they have what he needs to help him take over the w! orld, slips into their minds and transforms himself into the object of both of their desires. The couple, unable to resist, takes Belu back to their room for a rapturous Devil's Threesome where Belu extract from them something more valuable to him then their soul.

4,500 Words


*Please note that this story contains very explicit descriptions of erotic and sexual situations written for extreme genital arousal which will lead to self-pleasure. Mature readers only.


Excerpt:
Belu stared deep into her eyes inserting his tongue into her mouth. With their two muscles again in a dance, Lilly grabbed at Belu's form fitting black shirt and tore it down the center. Pulling the shirt onto his shoulders she tore one arm through then the other. And with Belu's perfectly sculpted torso free, she lunged for his pants.

Loosening the button, Belu's pants popped open and out slither the tip of his hefty thick c***. Lilly, wanting de! sperately to have it inside her, threw her hips up enticing it! to her cl*t. Unable to get past his stretched denim, her hips collided with his tented jeans causing her bones to rattle with frustration. Belu like this.
An American couple on their honeymoon walks into a bar in Guadalajara, Mexico. Unbeknownst to them they capture the attention of Belu, a creature that sits without form in the shadows of the bar. Belu, sensing they have what he needs to help him take over the world, slips into their minds and transforms himself into the object of both of their desires. The couple, unable to resist, takes Belu back to their room for a rapturous Devil's Threesome where Belu extract from them something more valuable to him then their soul.

4,500 Words


*Please note that this story contains very explicit descriptions of erotic and sexual situations written for extreme genital arousal which will lead to self-pleasure. Mature readers only.


Excerpt:
Belu stared deep into her eyes inserting his tongue into her mouth.! With their two muscles again in a dance, Lilly grabbed at Belu's form fitting black shirt and tore it down the center. Pulling the shirt onto his shoulders she tore one arm through then the other. And with Belu's perfectly sculpted torso free, she lunged for his pants.

Loosening the button, Belu's pants popped open and out slither the tip of his hefty thick c***. Lilly, wanting desperately to have it inside her, threw her hips up enticing it to her cl*t. Unable to get past his stretched denim, her hips collided with his tented jeans causing her bones to rattle with frustration. Belu like this.
This book is now a major motion picture released with the same title in August 2011. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of th! eir lives, but for Latif, a peace-loving man who did not agree! with Sa ddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.Red Devil 3040 Scraper, Double EdgeUse to remove paint or varnish from furniture, molding, cornices, wooden sashes, etc. Heavy-duty plastic handle.Red Devil 3040 Scraper, Double Edge Features:; 1 1/2" (3.8 cm) Blade; Carded; Made ! from hardwood for long lasting life; Hardened high-carbon steel blades; Replacement blade 3062 (3673-5355); 7" x 1-1/2"

Dungeon Tiles Master Set - The Wilderness: An Essential Dungeons & Dragons Accessory (4th Edition D&D)

Ashes of Time Redux [Blu-ray]

  • UK Import
  • Region-Free
  • Blu-ray
From Director Wong Kar Wai comes the definitive version of Ashes of Time, an epic martial arts masterpiece of larger-than-life characters, breathtaking landscapes and exquisite fight scenes. The story centers on Ouyang Feng (Leslie Cheung), a heartbroken and cynical man who spends his days alone in the desert, connecting expert swordsmen with those seeking revenge and willing to pay for it. As Ouyang narrates his tale, interweaving the stories of his unusual clients, old friends and future foes, he begins to realize the mistakes of his own past, and how his fear of rejection may have led him to a life of exile.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the fi! lm is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a moral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of ex! tras. Cinematographer Christopher Doyle enhances the melanchol! y tone o f the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha KimOuyang Feng has lived in the western desert for some years. He left his home in White Camel Mountain when the woman he loved chose to marry his elder brother rather than him. Instead of seeking glory, he ends up as an agent. When people come to him with a wish to eliminate someone who has wronged them, he puts them in touch with a swordsman who can do the job.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the film is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a m! oral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of extras. Cinematographer Christopher Doyle enhances the melancholy tone of the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha Kim

Watch-A-Bug

About a Boy [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
ABOUT A BOY - DVD MovieA box-office smash in England, About a Boy went on to charm the world as another fine adaptation (following High Fidelity) of a popular Nick Hornby novel. While High Fidelity transplanted its London charm to Chicago, this irresistible comedy was directed by Americans Chris and Paul Weitz (American Pie) with its British pedigree intact. Better yet, Hugh Grant is perfectly cast as Will, a self-absorbed trust-fund slacker who tries to improve his romantic odds by preying on desperate single mothers. His cynical strategy backfires when he recruits the misfit son (Nicholas Hoult) of a suicidal mother (Toni Collette) to pose as his own son, thus proving his parental prowess to his latest single-mom target (Rachel Weisz). The kid has a warming effect on this ultimate cad, and what could have been a sappy! tearjerker turns into a subtle, frequently hilarious portrait of familial quirks and elevated self-esteem. From start to finish, it's a genuine treat. --Jeff ShannonWill lightman is a good-looking smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms will gets a hilarious lesson about life from a bright but hopelessly geeky 12-year-old named marcus. Studio: Uni Dist Corp. (mca) Release Date: 08/01/2006 Starring: Hugh Grant Toni Collette Run time: 102 minutes Rating: Pg13 Director: Chris Weitz/paul WeitzA box-office smash in England, About a Boy went on to charm the world as another fine adaptation (following High Fidelity) of a popular Nick Hornby novel. While High Fidelity transplanted its London charm to Chicago, this irresistible comedy was directed by Americans Chris and Paul Weitz (American Pie) with its British ped! igree intact. Better yet, Hugh Grant is perfectly cast as Will! , a self -absorbed trust-fund slacker who tries to improve his romantic odds by preying on desperate single mothers. His cynical strategy backfires when he recruits the misfit son (Nicholas Hoult) of a suicidal mother (Toni Collette) to pose as his own son, thus proving his parental prowess to his latest single-mom target (Rachel Weisz). The kid has a warming effect on this ultimate cad, and what could have been a sappy tearjerker turns into a subtle, frequently hilarious portrait of familial quirks and elevated self-esteem. From start to finish, it's a genuine treat. --Jeff ShannonWill Behr lives on his own and does not want children, but he does see the point of single mothers, especially if they look like Julie Christie. Then he meets Marcus, whose parents have split up and who is being persecuted by bullies. Marcus discovers that Will has a lot to teach him about life.Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper! -concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best ! way to meet these women is at single-parent get-togethers. In ! one of N ick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents--Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."

What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight. As fans of Fever Pitch and Hig! h Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles.Will Freeman, a shallow thirty-something bachelor, lives a carefree life courtesy of his deceased father's fortune. Will is terrified of commitment and so decides that single mothers will make the easiest romantic targets... His world is turned around when he meets Marcus, a twelve year old boy. Marcus teaches Will that there is much more to life than loafing around in his London flat and worrying about the latest trends and fashions... Based on the best selling novel by Nick Hornby.