Logitech Revue Companion Box with Google TV and Keyboard Controller

• Works with your existing HDTV and cable or satellite system to provide seamless access to the Web, your TV, compatible DVRs, and Android apps
• Surf the web for what you want to watch - right on your big screen - with the powerful Google Chrome browser and full-size keyboard controller
• Browse your cable, satellite or over-the-air TV, plus over-the-web, for shows and movies with the updated TV & Movies app and program guide (Registration or subscription fee may be required)
• Access Android Market to bring film, music, gaming, sports, news and education apps to your HDTV (Additional terms, conditions and fees may apply. Apps subject to change without notice.)

The award-winning, critically acclaimed comedy FILM GEEK is about one movie nerd's quest to get a life. When Scotty Pelk (Melik Malkasian) is fired from his video store job for annoying the customers, he hits rock bott! om. But then he meets Niko (Tyler Gannon), a sexy free spirit who just might save Scotty from his hopeless existence. Triumphant and hilarious, FILM GEEK celebrates the geek in all of us.Scotty Pelk, the title character in Film Geek, makes Napoleon Dynamite look like James Bond. Scotty is, um, really into movies, and leads a life of relentless geek-itude in Portland, Ore., in slavish devotion to his obsession. He works, of course, in a video store; mans an untrafficked web site, www.scottysfilmpage.com; and argues with customers about what movies they select. He punctuates his few conversations, or even stone silences, with random comments like "Sam Fuller is so underrated." To no one's surprise, he has no life, and the film's relentless scrutiny of his pretty empty existence borders on the painful. And yet--who among us (especially movie fans) can't relate to being so immersed in a subject that everything else fades away? Happily, though Scotty doesn't know it, life! is full of surprises--even his cringe-worthy life. The dialog! ue and a cting, especially by Melik Malkasian, who plays Scotty with deadpan perfection, is winning and real. "[Terrence] Malick's only made three films in 30 years, you know," he perkily tells one bemused customer. "We're all waiting for his next one. I know I am." --A.T. HurleyPopular Dylan (Sarah Hyland) was royalty at her posh L.A. high school, who'd never give media club nerd Josh (Matt Prokop) the time of day. Until, that is, he rescued her trendy purse from destruction, and in return asked that she star in his documentary about cool kids. Reluctant at first, she comes to learn that he's not so bad for a dweeb, and that she can count on him when her own status comes crashing down. Sasha Pieterse, Jordan Nichols co-star. 97 min. Standard; Soundtrack: English Dolby Digital stereo; 10 bonus episodes of "Shake It Up." Two-disc set.

Dylan Shoenfield is the princess of L.A.?s posh Castle Heights High. She has the coolest boyfriend, the most popular friends, and a br! and-new ?it? bag that everyone covets. But when she accidentally tosses her bag into a fountain, this princess comes face-to-face with her own personal frog: selfprofessed film geek Josh Rosen. In return for rescuing Dylan?s bag, Josh convinces Dylan to let him film her for his documentary on high school popularity. Reluctantly, Dylan lets F-list Josh into her A-list world, and is shocked to realize that sometimes nerds can be pretty cool. But when Dylan?s so-called prince charming of a boyfriend dumps her flat, her life?and her social status? comes to a crashing halt. Can Dylan?with Josh?s help?pull the pieces together to create her own happily-ever-after?

Logitech Revue with Google TV turns any TV into a smart TV. It brings together TV, the full web, apps, movies and more and puts control of it all at your fingertips.

Bobby (Widescreen Edtion)

• (Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gr

(Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.In the final quarter o! r so of Bobby, writer-director-actor Emilio Estevez finally starts tightening his grip on the viewer as we head inexorably toward the film's climax: the 1968 assassination of Robert F. Kennedy in a Los Angeles hotel kitchen. In the course of these scenes--among them Kennedy's acceptance speech after winning the California Democratic presidential primary (the senator is seen only in file footage), his death at the hands of gunman Sirhan Sirhan, and the chaos and despair that ensued--Estevez steadily ratchets up the sense of tension and dread. Knowing exactly what's coming, while the characters onscreen don't, is excruciating, as is our grief at hearing RFK's own words, so eloquent, so hopeful and inspiring, as we watch the horrible events unfold and wonder what might have been (sure it's manipulative--but it works). But the rest of Bobby isn't nearly as compelling. Nor is it really about Kennedy, despite its obvious adulation of the man whom many thought would ! defeat Richard Nixon in the '68 general election. In the tradi! tion of, say, an Irwin Allen disaster flick, we're invited into the lives of nearly two dozen folks, most of them at least partly fictional, who were at the Ambassador Hotel that June day, including guests, staff (kitchen workers, switchboard operators, management, etc.), campaign workers, reporters, and more. There are lots of movie stars in the cast, and some of them (Sharon Stone, Helen Hunt, William H. Macy) are very good. But caring about the quotidian minutiae of these people's existences is a chore, and Estevez crams so many issues into his story (the Vietnam war, drugs, alcoholism, voting irregularities, adultery, racism, immigration, communism… even L.A. Dodgers pitcher Don Drysdale's streak of consecutive shutouts) and tries so obviously to establish parallels between then and now that too much of the movie feels gratuitous and forced. A warts-and-all film about Robert Kennedy's extraordinary life and career would be welcome. Unfortunately, Bobby isn't it. --Sa! m Graham