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• What keeps a family together? Nick Cassavetes, the director of The Notebook and John Q, again demonstrates his sure hand with tales of deep human emotion in this inspiring film about a loving family challenged and united by a child s illness. Cameron Diaz, Abigail Breslin, Alec Baldwin and others in an exceptional cast bring sensitivity to the story of 11-year-old Anna Fitzgerald, conceived to be

HOLIDAY - DVD MovieAs a pleasant dose of holiday cheer, The Holiday is a lovable love story with all the Christmas trimmings. In the capable hands of writer-director Nancy Meyers (making her first romantic comedy since Something's Gotta Give), it all begins when two successful yet unhappy women connect through a home-swapping website, and decide to trade houses for the Christmas holiday in a mutual effort to forget their man troubles. Iris (Kate Winslet) is a London-based journalist who! lives in a picture-postcard cottage in Surrey, and Amanda (Cameron Diaz) owns a movie-trailer production company (leading her to cutely imagine most of her life as a "coming attraction") and lives in a posh mansion in Beverly Hills. Iris is heartbroken from unrequited love with a cad of a colleague (Rufus Sewell), and Amanda has just broken up with her cheating boyfriend (Edward Burns), so their home-swapping offers mutual downtime to reassess their love lives. This being a Nancy Meyers movie (where everything is fabulously decorated and romantic wish-fulfillment is virtually guaranteed), Amanda hooks up with Iris's charming brother Graham (Jude Law), and Iris is unexpectedly smitten with Miles (Jack Black), a super-nice film composer on the downside of a failing relationship. --Jeff Shannon

Extras from The Holiday

First Look Featurette high bandwidth

Film Clip: "Sushi for Two" high bandwidth

Film Clip: "Oh Brother" high bandwidth

Stills from The Holiday (click for larger image)

Beyond The Holiday on Amazon.com

On Blu-ray

CD Soundtrack

The Films of ! Nancy Meyers

SWEETEST THING - DVD MoviePrudes, beware! Despite its tendency to take the comedic low road, The Sweetest Thing is a near-perfect product of the new-millennial Hollywood. That's a backhanded compliment, but as a fun-loving Yankee girl's answer to Bridget Jones's Diary, the mainstream pandering of Nancy Pimental's lucrative screenplay is undeniably effective. On the opening soundtrack, Macy Gray's "Sexual Revolution" is a perfect accompaniment to gyrating guy-dumper Christina (Cameron Diaz), whose fear of commitment is tested when she meets Peter (Thomas Jane) and knows he's Mr. Right. With supportive gal-pals Courtney (Christina Applegate) and Jane (Selma Blair), she plots to snag the guy, and the movie's road-trip detour mines gut-busting gold from gags involving incriminating dress stains, oral sex, rotting food, garish clothing, and the simple joys of old-fashioned romance. Perfectly cast, raucously ribald, a! nd conventionally charming, The Sweetest Thing is a sch! izophren ic comedy, but its dual personalities are irresistibly in synch. --Jeff ShannonAfter the wildest party night of their lives, two mismatched strangers, Jack (Ashton Kutcher) and Joy (Cameron Diaz), wake up in Vegas to discover they not only got lucky â?" they got married! The road to annulment takes a hilarious turn after Jack wins a three-million-dollar jackpot while playing Joyâ??s quarter and a no-nonsense judge (Dennis Miller) sentences them to six months â??hard marriage.â? What follows is an all-out war of the sexes as Jack and Joy go to outrageous lengths to try and cheat each other out of the money. But in the end, they may learn that when you gamble on love, you just might win, against all odds!What Happens in Vegas is a comedy waiting to happen. It takes an old premise (drunk strangers regretting their decision to get married in Las Vegas) and adds in a dilemma (a $3 million slot machine win) that could've been easily resolved. But then again, th! ere would've been no movie if the unhappily wedded couple figured out that splitting the money in half and getting their marriage annulled would've been quick and effective. Cameron Diaz plays uptight clean-freak Joy, who has just been dumped by her fiance. Ashton Kutcher is Jack, a slacker furniture maker who has been fired--by his own dad. Each goes to Vegas to let off some steam. And while they have nothing in common (except being exceptionally good looking) they make out, get married, and fight over the money Jack wins with Joy's quarter. Instead of letting the couple get divorced, a judge sentences the odd couple to half a year of marriage. What happens in Vegas doesn't stay in Vegas, but extends into New York where Jack and Joy live. Both actors have fared well in comedies, especially Diaz in My Best Friend's Wedding. And while Kutcher still has to live down Dude, Where's My Car?, he showed a lot of comedic flair and charm in A Lot Like Love. But ! the two face an uphill battle here with inane dialogue and a p! remise t hat not only is unbelievable, but unlikeable. The two are so incompatible (and immature) they can't even control bathroom time and, in Jack's case, his bladder. --Jae-Ha Kim

Beyond What Happens in Vegas on DVD

27 Dresses on DVD

Juno on DVD

Dodgeball â€" A True Underdog Story on DVD

Stills from What Happens in Vegas (Click for larger image)

Cameron Diaz, Toni Collette! and Shirley MacLaine "all deserve Oscars®"(WCBC-TV) for thei! r hilari ous and moving performances in "the most rewarding family comedy since Terms of Endearment." (New York Magazine) Flirty, flaky party girl Maggie (Diaz) and plain, dependable lawyer Rose (Collette) are sisters, best friends and bitter rivals who seem to have only two things in common: DNA and size 8 1/2 feet. Only when their love-hate relationship veers towards the hate end of the spectrum do they accidentally discover they also share a long-lost grandmother (MacLaine) who enriches their lives and helps them make peace with each otherâ€"and themselves!In Her Shoes just gets better and better as it goes along. As adapted by Erin Brockovich screenwriter Susannah Grant, this is one of those rare movies that actually improves on its source material (Jennifer Weiner's "chick lit" bestseller), with thoughtful direction by Curtis Hanson, the L.A. Confidential Oscar®-winner who approaches any chosen genre with Hawksian versatility. At first it seems like ! Weiner's novel might yield a standard melodrama of sibling rivalry, but the polar opposition of smart, plain-looking Philadelphia lawyer Rose (the always-excellent Toni Collette) and her sexy, illiterate, irresponsible sister Maggie (Cameron Diaz) is just the starting point. In Her Shoes becomes a moving, richly developed character study that deals with painful loss, long-term guilt, negative self-image, and the discovery of a heretofore unknown grandmother named Ella (played with delicate nuance by Shirley MacLaine), whose re-entry into the sisters' lives sets the stage for the well-earned emotions of a satisfying reconciliation. As Maggie takes stock of her dismal life while staying with Ella at a Florida "retirement home for active seniors," Hanson never condescends to these likable characters, and never goes for the easy laughs in a setting that could have devolved into Cocoon-like comedy. The movie's all the more endearing for treating its male characters! (played by Mark Feuerstein, Ken Howard, and Richard Burgi) wi! th equal depth and sympathy, further enhancing a classy tearjerker that viewers of both genders can thoroughly enjoy. --Jeff ShannonBig screen superstars Tom Cruise and Cameron Diaz come together in this fun, action-packed thrill-ride that will keep you on the edge of your seat. When a small-town girl named June (Diaz) meets a mysterious stranger, she thinks she's found the man of her dreams. But she soon discovers he's a fugitive super-spy, who thrusts her into a thrilling cat-and-mouse chase that spans the globe. As the bullets and sparks fly, June must decide if her "Knight" in shining armor is a dangerous traitor or the love of her life. Knight and Day has action by the boatload, cheeky wit, unexpected double-crossing, sexual tension, and the blinding smile of its star, Tom Cruise. In short, what more could you ask of a rollicking good-time movie? Knight and Day, which also stars the irresistible Cameron Diaz as Cruise's superspy's ultimate foil, channels th! e best elements of earlier films like Mr. and Mrs. Smith, Mission: Impossible, the Bourne films, and even a little of Duplicity's sophistication. Mostly, though, Knight and Day is about moving things along merrily, if not completely coherently, as the two stars tangle, and tussle with trust issues, in a completely believable, compulsively watchable way. Cruise plays Roy, an on-the-lam spy (who may have had some kind of psychotic break--or who may in fact be the only person telling the truth); he runs into the winsome June (Diaz), who gets caught up in Roy's mad dash to escape the cabal of federal agents on his tail. "No one follows us," Roy announces to a terrified diner crowd as he moves to make his escape with June, "or I kill myself--and then her." While Knight and Day, directed by James Mangold, has more than its share of high-speed chases, hails of bullets, and explosions, it works far better as a romantic comedy--for the chemi! stry between Diaz and Cruise is delicious, palpable, and belie! vable. S o grab a date and an extra-large popcorn, and get ready for a sweet and fun Knight and Day. --A.T. HurleyCameron Diaz and Ewan McGregor are star-crossed lovebirds on the lam in this twisted romantic comedy from the creators of "Trainspotting." Celine (Diaz) is a spoiled, rich young woman whose worst nightmare is having her credit card rejected. Robert (McGregor) is a hapless janitor whose greatest dream is to write the Great American Trash Novel. They have nothing in common - except the burning desire to live "a life less ordinary." When Celine is kidnapped by the inept Robert, a pair of celestial cops are dispatched to earth to make sure they live that "life less ordinary" together. Co-starring Oscar® -winner Holly Hunter and Delroy Lindo.A Life Less Ordinary is a surprising disappointment, considering it is the third film from director Danny Boyle, writer John Hodge, and actor Ewan McGregor. This disjointed and strained romantic comedy is not eve! n near the same league as Trainspotting and Shallow Grave. Cameron Diaz is a spoiled heiress and McGregor an aimless janitor brought together by two angels (Holly Hunter and Delroy Lindo) hoping to hang onto their wings. McGregor kidnaps Diaz, the boss's daughter, after being fired from his crummy job. She is not all that averse to being snatched. Most of the laughs are lost to a scattershot story that feels preposterous instead of magical. --Rochelle O'GormanMY SISTER'S KEEPER - DVD MovieGrab a box of tissues and settle in for a heart-wrenching exploration of illness, morality, and familial bonds in this excellent screen adaptation of bestselling author Jodi Picoult's My Sister's Keeper. When parents Sara (Cameron Diaz) and Brian Fitzgerald (Jason Patric) find out that their daughter Kate (Sofia Vassilieva) has leukemia, they make the difficult choice to utilize the advancements of modern medicine and impregnate Sara with a child genetically ens! ured to be a donor match for Kate. Throughout the many years o! f dealin g with Kate's illness, the needs of individual family members--including Kate's parents, her brother Jesse (Evan Ellingson), and her sister Anna (Abigail Breslin)--are largely ignored in light of Kate's more serious needs. Still, Kate's sister Anna rarely complains about helping Kate, even when it involves undergoing painful bone marrow aspirations. Recently, however, Anna has had a change of heart and has decided to stand up for her right to have a say in medical procedures involving herself: she's enlisted a lawyer, Campbell Alexander (Alec Baldwin), to help her sue her parents for medical emancipation. The issue is highly emotional and the familial strife is further compounded by the fact that Kate is quickly failing and needs an immediate kidney transplant for even a chance of continued survival. The emotional struggle of dealing with serious illness while trying to meet one's own needs permeates the film, as do the staggering moral dilemmas inherent in the advances of m! odern medicine. While Picoult's readers may be disappointed that the film doesn't delve as deeply into Anna's and Jesse's characters as the book does, My Sister's Keeper is nonetheless an intensely powerful film bursting with emotion and moral quandary that leaves viewers pondering what lengths they might go to in a similar situation. --Tami Horiuchi

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